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	<title>Creative Portfolio - Travis Donnelly </title>
	<link>https://topographicdesign.cargo.site</link>
	<description>Creative Portfolio - Travis Donnelly </description>
	<pubDate>Thu, 02 Jan 2025 19:53:43 +0000</pubDate>
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		<title>City of Barbarians</title>
				
		<link>https://topographicdesign.cargo.site/City-of-Barbarians-1</link>

		<pubDate>Thu, 02 Jan 2025 19:53:39 +0000</pubDate>

		<dc:creator>Creative Portfolio - Travis Donnelly </dc:creator>

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Nottingham:A city of “Low and Bad Characters”?

My MA Major Project is “Nottingham: City of Barbarians”, a new tourism identity for inner-city attractions and events built around real historic quotes about Nottingham’s history for protest and rebellion against authority, aiming to address current issues with the existing visual identity raised by the Nottingham public. Namely, local attractions have been criticised for their high cost-of-entry which outprices local residents and families, and a generally bland presentation which is failing to appeal to a younger audience.You might
think of Nottingham as the city of Robin Hood, but it’s also a city of secret
Luddite Kings, a castle-sacking citizenry, and great ‘Cheese Riots’ – I was shocked to learn that even fellow students who were born and raised in Nottingham knew next-to-nothing about many of these hilarious and empowering tales of working-class rebellion.The redesign draws it’s insulting titles and copywriting directly from historical accounts about Nottingham’s rebellious population throughout the eighteenth-through-twenty-first centuries, which saw genuine (if audiacious and eccentric) insults such as “the dregs of society”, “Low and Bad Characters” and “Barbarians [making sacrifices] to the demon of anarchy and crime” bandied at hard-done-by Nottingham citizens.

	
Nottingham: City of Barbarians 
Masters Project
Self-Directed BriefNottingham Trent University, 2023





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	The new brand is aimed at a younger audience: teens, young adults, and family groups - and looks to address a perceived lack of dramatism in the presentation of a city with a very dramatic and fascinating history. The focus is on engaging and interactive storytelling: several locations around the city have been selected to accompany true stories from Nottingham’s past, each of which can be scanned using AR to recognise the landmark and deliver an article of sorts which tells the shocking story and links to other resources for learning more. The landmarks themselves can be found on the brand website, in a map of available locations - creating a ‘treasure hunt’ for local residents to plan a day out to discover each story.
	

Additionally, the advertising campaign for the project pairs up scandalous true titles given to Nottingham residents of the past with those of the present, contrasting a friendly-looking cast of people young and old with their apparent reputations as people of Nottingham. To get involved, groups of families and friends can submit photos of themselves to be featured on street signs and digital ads in a campaign that takes pride in it’s residents above all else.
 For a less-involved way to engage with the campaign, a series of AR Filters for social media sites Instagram and Facebook have been launched, which frame selfie-takers like wanted posters, complete with wildly-eccentric and genuinely historical monikers from which there are many to choose.


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	In truth, the city is a proud and diverse community with a rich andproductive culture, one which should take pride in these historic comments;&#38;nbsp;and&#38;nbsp;by extension, pride in it’s scandalous, incendiary, and sometimes ridiculous history.&#38;nbsp;

	

City of Barbarians has for me been a capstone project, bookending four years of study in a city I’ve really come to love, and I hope that the admiration I have for this place and its people is visible in this final project.&#38;nbsp;








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		<title>Sunday Saviour</title>
				
		<link>https://topographicdesign.cargo.site/Sunday-Saviour</link>

		<pubDate>Thu, 02 Jan 2025 19:53:40 +0000</pubDate>

		<dc:creator>Creative Portfolio - Travis Donnelly </dc:creator>

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Sunday Saviour is a non-alcoholic drinks that inverts the stigma around not participating in alcohol-culture, and instead champions the consumer as a hero of mythical status for their choice, featuring a host of characters emblematic of the ‘heavenly virtues’ of being sober.&#38;nbsp;



The identity draws inspiration from the world of the pseudo-medieval and the mystical - notably, playing and tarot cards, and religious imagery depicting saints. As such, the brand champions a selection of saint-like characters themed around a night out and positions them with eccentric flavour names. Examples of these characters include “The Saturday Knight”, “The Carbonated Cleric”, and “The Drinking Thinker”.



	
Sunday Saviour 
Brief: HatchBA Nottingham Trent University, 2022


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		<title>Salty</title>
				
		<link>https://topographicdesign.cargo.site/Salty-1</link>

		<pubDate>Thu, 02 Jan 2025 19:53:41 +0000</pubDate>

		<dc:creator>Creative Portfolio - Travis Donnelly </dc:creator>

		<guid isPermaLink="true">https://topographicdesign.cargo.site/Salty-1</guid>

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Bulletproof Studio’s “Stay Naive” Brief was to receive a randomly generated company name and M.O. - with my result being Salty, an upcycled vintage outlet. I pitched the brand as a Non-Profit, drawing both it’s identity and inventory from the sea and nautical history.The bulk of my research and the core theme of the identity is based on real historical Naval records dating from around 1850 - 1930, with elegant but scratchy handwriting, weathered letterpressed type, and physical, tactile rubber stamps. Salty collects an inventory of authentic vintage items - think fisherman's sweaters, canvas coats, and rough corduroy - and provides a bespoke service. Its customer base is in the ages of 30 to 55, with a particular interest in the quality of items and where they were produced and sourced.


Included in the pitch is a limited edition copy of Herman Melville’s “Moby Dick”, run under the ‘Salty Press’ banner, which acts as an in-store publishing house for iconic seafaring literature, a la Penguin Classics.



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Salty Vintage Clothing Co. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Brief by Bulletproof Intl.&#38;nbsp;
Nottingham Trent University, 2022



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&#60;img width="2845" height="2500" width_o="2845" height_o="2500" data-src="https://freight.cargo.site/t/original/i/01f4e56b6ab6193ac3f4a53a49d2bdb4af2cf2728c6d1f44948d9d23c3e6814b/Blue-Moby-Dick-Book.png" data-mid="224071618" border="0"  src="https://freight.cargo.site/w/1000/i/01f4e56b6ab6193ac3f4a53a49d2bdb4af2cf2728c6d1f44948d9d23c3e6814b/Blue-Moby-Dick-Book.png" /&#62;
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	<item>
		<title>"A Stupidity"</title>
				
		<link>https://topographicdesign.cargo.site/A-Stupidity-1</link>

		<pubDate>Thu, 02 Jan 2025 19:53:41 +0000</pubDate>

		<dc:creator>Creative Portfolio - Travis Donnelly </dc:creator>

		<guid isPermaLink="true">https://topographicdesign.cargo.site/A-Stupidity-1</guid>

		<description>
	


“A Stupidity” is a multi-media Exhibition on the work of the massively influential German philosopher Martin Heidegger. It looks to examine and investigate his involvement in the Nazi Party, which critics argue presents foundational flaws in his ideology, calling his philosophical work into serious question.The Exhibition comprises of a selection of critical writings on Heidegger’s Nazism, as well as his seminal text “Being and Time”, interposing praise for the thinker’s work as “impossible to ignore” with the anguish of Heideggarian scholars worrying how deep the roots of his fascism might truly run in his work. A central inspiration for the exhbition is a lecture on Heidegger’s utility in the hands of Alt-Right neo-Fascists by Prof. Gregory Fried, which is a fascinating lecture on the modern urgency of understanding Heidegger’s Nazism. Alongside the Exhibition, which features a shredder half-way through destroying a copy of Being and Time, the book itself will be reprinted, now including a preface and essays; these are intended to encourage the new Philosophy student to consider critically how Heidegger’s Nazism might indicate fundamental flaws in his philosophy.&#38;nbsp;



	
“A Stupidity” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Brief by: NTUNottingham Trent University, 2023




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	&#38;nbsp;&#38;nbsp;
	

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